Paris Olympics

Barbara Butch, the DJ and activist who used the Olympics opening ceremony in 2024 to mock Leonardo da Vinci’s Last Supper, is set to direct a series of immersive art installations inside churches across the French capital during this year’s Nuit Blanche festival Barbara Butch, the French DJ and activist who drew international controversy during the opening ceremony of the Paris 2024 Olympic Games, is to direct a series of artistic installations inside churches across Paris during this year’s Nuit Blanche festival. The all-night arts festival, due to take place on June 6 and 7, will feature immersive projects in several historic churches under Butch’s artistic direction, according to the French Christian outlet Tribune Chrétienne . One installation, titled Sous la peau du ciel (“Beneath the Skin of the Sky”), will be staged inside Saint-Laurent Church in the French capital’s 10th arrondissement. Organisers say visitors will be invited to leave recorded “wishes” over the telephone, which will then be combined with atmospheric sounds and digitally altered to create what has been described as “living and evolving sound material”. Festival material describes the work as “an invisible membrane stretched between human hearts and the atmosphere”, adding that visitors will encounter “a living, moving sonic material, made of dispersed intimacies and celestial energies”. The installation has resulted in criticism from some Catholics in France because of Butch’s involvement in the Paris Olympics opening ceremony. During the event on July 26, 2024, Butch appeared in a performance featuring drag artists and a banquet-style tableau which many viewers said resembled Leonardo da Vinci’s The Last Supper . The segment immediately drew accusations of blasphemy and disrespect towards Christianity. The French Bishops’ Conference said afterwards that the ceremony had included “scenes of derision and mockery of Christianity”. The controversy quickly spread beyond France, with Christian leaders and politicians across Europe, Latin America and the United States condemning the performance. The World Council of Churches said many Christians around the world had been “angered” by the spectacle. Outside Christianity, Iran’s Foreign Ministry summoned the French ambassador for the insulting representation of Jesus, a prophet in Islam. Paris 2024 organisers initially said the segment had been inspired by Leonardo da Vinci’s famous depiction of Christ and the Apostles. Thomas Jolly, the artistic director of the ceremony, later disputed that interpretation and said the scene had instead been inspired by pagan imagery linked to the Greek god Dionysus. Art historians subsequently pointed to similarities with The Feast of the Gods , a 17th-century painting by the Dutch artist Jan van Bijlert. Butch defended the performance in media interviews after the backlash. Speaking to French media, she rejected accusations that the ceremony had mocked Christianity and said critics had misunderstood the artistic intention behind the sequence. Following the controversy, Butch said she had received online abuse and threats. Her lawyer later confirmed that legal complaints had been filed. Born in Paris in 1981, Butch has built a career as a DJ and LGBT activist in France. She has publicly described herself as “a fat, Jewish, queer lesbian” and has campaigned on issues linked to body positivity and lesbian visibility. She first became known on the Paris club scene after performing at venues including Rosa Bonheur and La Machine du Moulin Rouge. In recent years she has also appeared on French television and was named “LGBTI personality of the year” in 2021 by the Association of LGBTI Journalists. Nuit Blanche, first launched by the City of Paris in 2002, regularly transforms public buildings, museums and churches into exhibition spaces for modern art installations and experimental performances. Churches across the French capital have frequently hosted concerts, sound exhibitions and light displays during previous editions of the festival.